Fort of Rohtas
Constructed on a plateau over the top of a hill the Rohtas fort is situated at about 1500 feet above sea level. The fort has 2000 odd limestone steps meant for elephants. A gate with a cupola can be seen there which one of the well-guarded entrances to the fort. Walk another mile or so to reach the ruins of Rohtas.The fort was in the possession of the Hindu king Pratapdhavala of the Japla dynasty. According to some inscriptions it was ruled by the Khayarwala clan, sovereigns of Shahbad. The road through the jungle leading from the foothill to the plateau was constructed by Hindu Kings of Rohtas who also did the fortifications on the jungle roads and constructed the four gates on the four ghats. The main fortifications of the Raja Ghat and the Katauthiya Ghat are still intact and visible.
Constructed on a plateau over the top of a hill the Rohtas fort is situated at about 1500 feet above sea level. The fort has 2000 odd limestone steps meant for elephants. A gate with a cupola can be seen there which one of the well-guarded entrances to the fort. Walk another mile or so to reach the ruins of Rohtas.The fort was in the possession of the Hindu king Pratapdhavala of the Japla dynasty. According to some inscriptions it was ruled by the Khayarwala clan, sovereigns of Shahbad. The road through the jungle leading from the foothill to the plateau was constructed by Hindu Kings of Rohtas who also did the fortifications on the jungle roads and constructed the four gates on the four ghats. The main fortifications of the Raja Ghat and the Katauthiya Ghat are still intact and visible.
The history of Rohtas is a long and chequered one. The old texts and inscriptions found near Rohtas suggest that the fort was in the possession of the Hindu king Pratapdhavala of the Japla dynasty. Other inscriptions cite that it was ruled by the Khayarwala clan who were sovereigns of Shahbad (the area now known as Bhojpur and Rohtas). The Hindu kings of Rohtas constructed a road through the jungle leading from the foothill to the plateau, did the fortifications on the jungle roads and the four gates on the four ghats. The main fortifications at the Raja Ghat and the Katauthiya Ghat can still be seen. Except from the matrix for making seals belonging to the 7th century AD king Sasanka, all other artifacts are from the time of Sher Shah Suri and onwards.
In 1539 AD, the Fort of Rohtas passed out of the hands of the Hindu kings into those of Sher Shah Suri. She Shah Suri had just lost the Fort at Chunar in a fight with the Mughal emperor Humayun and was desperate to gain a foothold for himself. Sher Shah requested the ruler of Rohtas that he wanted to leave his women, children and treasure in the safety of the fort, while he was away fighting in Bengal. The king agreed and the first few palanquins had women and children. But the later ones contained fierce Afghan soldiers, who captured Rohtas and forced the Hindu king to flee. During the Sher Shah's reign 10000-armed men guarded the fort.
IHaibat Khan, a trustworthy soldier of Sher Shah built the Jami Masjid in 1543 AD, which lies to the west of the fort. It is made of white sandstone and comprises of three domes. There is a mausoleum of perhaps Habsh Khan, the daroga or the superintendent of works of Sher Shah.
In 1558 AD, Man Singh, Akbar's Hindu General, ruled Rohtas. As the Governor of Bengal and Bihar, he made Rohtas his headquarters in view of its inaccessibility and other natural defenses. He built a splendid palace for himself, renovated the rest of the fort, cleared up the ponds and made gardens in Persian style. The palace was constructed in a north-south axis, with its entrance to the west with barracks for soldiers in front. The fort is still in a fairly good condition. The main gate is known as the Hathiya Pol or the Elephant Gate, named after the number of figures of the elephants, which decorate it. It is the largest of the gates and was made in 1597 AD.
The Aina Mahal, the palace of the chief wife of Man Singh, is in the middle of the palace. The most expansive structure within the palace is however the Takhte Badshahi, where Man Singh himself resided. It is a four-storied building, with a cupola on top. There is an assembly hall in the second floor and a gallery resting on strong, engraved stone pillars. The third floor has a tiny cupola, which opens into the women' quarters. From the fourth floor one can get a bird's eye view of the surrounding area. The residential quarters of Man Singh were on the first floor, which was connected to the ladies' rooms via a gateway in the east. An assembly hall, probably the Diwan-i-Khas or the hall or private audience is a little towards the west of Baradari or the hall of public audience. The hall is decorated with etchings of flowers and leaves, and lies on similarly decorated pillars.
Outside the palace grounds are the buildings of Jami Masjid, Habsh Khan's Mausoleum and the Makbara of Shufi Sultan. The beautiful stucco style, with the cupola resting on pillars reminds of the Rajputana style where the domed structures are known as chhatris. This style had not been used in Bengal and Bihar earlier but its emergence at Rohtas was not surprising as more than half the fort's guardians came from Rajputana. About half a kilometer to the west of Man Singh's Palace is a Ganesh temple. The sanctum of the temple faces two porch-ways. The tall imposing superstructure corresponds the temples of Rajputana (Rajashtan), especially of Ossian near Jodhpur built in the 8th century AD and the Mira Bai temple of the 17th century AD at Chittor.
Further towards west, some construction must have taken place although there is no written evidence of what it was. The locals call it the Hanging House, as the fall from here is a straight 1500 ft down with no obstacles on the way. Locals have a story to tell about this place that this spot is the mouth of a cave, where a Muslim fakir (mendicant) is buried. It is said that he was thrown from here into the valley three times. In spite of being bound hand and foot, the fakir escaped unhurt each time. Ultimately he was buried in the cave. About a mile to the northeast of the Palace are the ruins of two temples. One is the Rohtasan, a temple of Lord Shiva. Iconoclasts probably destroyed the roof and the main mandap, which housed the sacred lingam. Now only 84 steps are left, which lead to the temple constructed by king Harishchandra. The domes crest the Devi Mandir. The idol of the deity is missing from here also, though the rest of the building is in good condition.
After the death of Man Singh, the fort came under the jurisdiction of the office of the Emperor's wazir from where the governors were appointed. In 1621 AD, the Prince Khurram revolted against his father Jahangir and took refuge at Rohtas. The guardian of the fort, Saiyyad Mubarak handed over the keys of Rohtas to the prince. Khurram once again came to Rohtas for safety when he tried to win Avadh, but lost the battle of Kampat. His son Murad Baksh was born to his wife Mumtaz Mahal. During Aurangzeb's reign the fort was used as a detention camp for those under trial and housing prisoners sentenced for life.
In 1763 AD, in the Battle of Udhwa Nala, the Nawab of Bihar and Bengal, Mir Kasim, lost to the British and fled with his family to Rohtas. But he was not able to hide at the fort. Finally the Diwan of Rohtas, Shahmal handed it over to the British Captain Goddard. During his two-month stay at the fort, the Captain destroyed the storeroom and many of the fortifications. Goddard left, keeping some guards in charge of the fort, but they too left after a year.
There was peace at the fort for the next 100 years or so, which was at last broken at the time of the First War of independence in 1857. Umer Singh, the brother of Kunwar Singh, together with his companions took refuge here. There were many encounters with the British where the latter were at a disadvantage, for the jungles and the tribal in them were of great help to the Indian soldiers. Finally, after a long drawn out military blockade and many clashes, the British overcame the Indians.
Some of the Major Architecture in Ancient & Medieval Times in India
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